Regeneracion: Three Generations of Revolutionary Ideology

Regeneracion: Three Generations of Revolutionary Ideology examines the transnational exchange and circulation of revolutionary and activist ideas through which political protest intersected with experimental artistic practices across generations, and between the U.S. and Mexico. The exhibition centers on three instances of political and cultural production, each called Regeneracion, and the interconnected ideas and relationships between them. The term regeneracion was first used by the Los Angeles-based, Mexican anarchist Flores Magon brothers in their revolutionary-era political newspaper Regeneracion (1900 – 1918); subsequently adopted in the cultural and political journal Regeneracion (1970 – 1975), which was an important collaborative site for the Chicano avant-garde group Asco; and later evoked in the experimental space Regeneracion/Popular Resource Center of Highland Park (1993 – 1999).

These groups and sites of production were incubators for transnational political thought and forms of resistance that linked Mexico and the United States from the site of Los Angeles, stimulating the creation of journals, print media, plays, music, film, satirical cartoons, drawings, performances, and poetry, and contributing to the convergence of art, community, and politics across the span of one hundred years. Tracing political and artistic modes of cultural production rooted in counter-hegemonic practices within Latino communities in Los Angeles in the twentieth century, Regeneracion: Three Generations of Revolutionary Ideology aims to shed light on nuanced aspects of Southern California’s regional history.

This exhibition was organized with extensive collaboration from advisors, artists and historians. It reflects collaboration with, contributions from, and works by Lalo Alcaraz, ASCO, Raul Baltazar, Barnet, Jacinto Barrera Bassols, Alberto Beltran, Akira Boch, Ludovico Caminita, Oscar Castillo,  Zack de la Rocha, Elizabeth Delgadillo-Merfeld, Victoria Delgadillo (screening LA MODA), Richard Estrada, Lysa Flores, William Flores, Diego Flores Magon Bustamante, Roman Gabriel, Joseph Galarza, Diane Gamboa, Harry Gamboa Jr., Antonio (Willie) Garcia, Javier Gonzalez, Gronk, Colin Gunckel, Romeo Guzman, Sara Harris, Sergio Hernandez, Willie F. Herrón III, Marissa Hicks-Alcaraz, Blas Lara Cazares, Jesse Lerner, Manuel Lopez, Ruben Martinez, Lara Medina, Marisol Medina Cadena, Menoman Martinez, Claudia Mercado, Joseph (Nuke) Montalvo, Shawn Mortensen, Mujeres de Mai­z, Leo Ortiz, Ruben Ortiz-Torres, Raul Pacheco, Martin Quiroz, Omar Ramirez, Rudy Ramirez, Nicolas Reveles, Gregory Rodriguez, Seymour Rosen, Fermin Sagrista, Aida Salazar, Jeniffer Sanchez, Elias Serna, Humberto Terrones, The Mexican Spitfires, Edgar Toledo, Mark Torres, Adriana Trujillo, Patssi Valdez, Patricia Valencia, Arnoldo Vargas, L. Villegas Jr., Marius de Zayas, Sergio Zenteno and others.

The exhibition will be accompanied by a robust public program series, including art and music performances, film screenings, a symposium, and art workshops for families, in addition to a gallery sound booth for online radio station programming and conducting oral histories. In an effort to continue to gather materials related to this history, the Vincent Price Art Museum welcomes communication from those invested and engaged with these iterations of Regeneracion to deepen the research of these important periods.

The programming for Regeneracion: Three Generations of Revolutionary Ideology takes place at the Vincent Price Art Museum, East Los Angeles College, 1301 Avenida Cesar E. Chavez, Monterey Park, CA 91754.

Read more on Terremoto Art Magazine

Con la Casa a Cuestras

A continuacion, esta descripcion esta en Espanol.

“Mi historia, tu historia, nuestra historia and Con la casa a las espaldas: miradas migrantes are an initiative of Proyecto Caracol. Migracion y patrimonio cultural and the International Seminar Con la casa a cuestas, a donde los pies me lleven, organized by the Pablo de Olavide University, Seville (Spain), the Benemorita Autonomous University of Puebla (Mexico) with the collaboration of the National Autonomous University of Mexico-Los Angeles (United States).

In life, there are those who constantly migrate, those who seek, those who displace themselves; and there are others that remain, that stay or travel without moving from place. It is important to recognize that, although we are of those who decide to remain, migration has a place, sometimes hidden, sometimes at the edge of the skin, in each and every one of our histories, because movement is an intrinsic part of the human being.

Nowadays, massive movements of large distances and stories that hurt us are prioritized, but if we start to recognize that displacement is an essential part of our own history, we may stop looking at ourselves from distance and start seeing each other closely and with empathy; because after all we are all the ones who live together day by day, the ones who run into each other on the street, the ones who travel together on the public transport, the ones who transform cities, the ones who live in a world in constant movement.  Visit UNAM LA


Mi historia, tu historia, nuestra historia y Con la casa a las espaldas: miradas migrante son una iniciativa que forma parte del Proyecto Caracol. Migracion y patrimonio cultural y el Seminario Internacional Con la casa a cuestas, a donde los pies me lleven organizado por la Universidad Pablo de Olavide, Sevilla (Espana), Benemorita Universidad Autonoma de Puebla (Mexico) con la colaboracion de la Universidad Nacional Autonoma de Mexico-Los Angeles (Estados Unidos).

En la vida, hay quienes migramos constantemente, quienes buscamos, quienes nos desplazamos; y hay otros que permanecemos, que nos quedamos o viajamos sin movernos de lugar. Es importante reconocer que, aunque seamos de los que decidimos permanecer, la migracion tiene un lugar, a veces recondito, a veces a flor de piel, en todas y cada una de nuestras historias, porque el movimiento es parte intranseca del ser humano.

Hoy en dia se priorizan los movimientos masivos,  a gran escala, de grandes distancias y de historias que nos duelen, pero si empezamos por reconocer que el desplazamiento es parte esencial de nuestra propia historia, es posible que dejemos de mirarnos con distancia y desde la diferencia empecemos a vernos de cerca y desde la empati­a; porque finalmente somos todos quienes convivimos dia a di­a, quienes nos cruzamos en la calle, quienes viajamos juntos en el transporte, quienes transformamos las ciudades, quienes habitamos un mundo en constante movimiento.  Visita UNAM Los Angeles

Indigenous Women and Creative Traditions: Transforming Lives through Radical Practice

Indigenous Women and Creative Traditions: Transforming Lives through Radical Practice

“I’m very honored to be a part of such an inspiring and important exhibition of Indigenous ceremonial art at Queensland, Australia’s University. Programming on The Spiritual and Healing Aspects of Art, Ritual and Ceremony took place in 2016. Many thanks to Prof. Yreina D Cervantez for recommending my work.” – Victoria Delgadillo.

This exhibition was curated by Alma Cervantes and Megan Darr and ran from June 21 to July 7, 2016. Read More